Perret Opticians
 
We have been opticians for three generations in our family, and our activity is targeted on three areas, optometry, contact lenses and optical instruments.

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BACK/Frames-Spectacles

Organic Polycarbonat full colour Sun-lenses

Organic Polycarbonat Base 8 full colour Sun-lenses

Mineral full colour Sun-lenses

Organic CR39 Special Sun-lenses

Organic CR39 Polarized  Sun-lenses

Organic CR39 Photochromic Sun-lenses

Organic CR39 full colour Sun-lenses

Organic CR39 full colour Sun-lenses Base 8

Organic CR39 flash gradient mirror Sun-lenses

Sunglases Kaenon Polarized

Smith optics Sunglasses

Sunglasses Fashion 2007

Panorama sunglasses fashion 2009

 

 

 

 

 


 



SUNGLASSES

 

 

 

Panorama Lafont 2005

Be careful with you sunglasses:

  • Clean the lenses with a soft cloth, preferably one specifically for lens hygiene such as a micro fibre cleaning cloth. Avoid paper tissues, as these can be abrasive.
  • Be ware when cleaning lenses with delicate coatings such as antifog, as these may rub off or react against detergents and even some approved lens cleaning solutions.
  • Do not leave your glasses on your car's dashboard, as the extreme heat generated by the windscreen on a hot day can permanently damage plastic frames and lenses.
  • Always store your sunglasses in the case provided.
  • Avoid storing your sunglasses in extremely cold, hot or humid conditions for long periods of time.

Taken from the European Sunglass Association Training Guide.

The '70s theme:

One of the strongest trends for women this season follows the '70s theme. It's a style that is particularly suited to women who enjoy new fashion themes and want a special look for autumn/winter. And there are eyewear styles to complement the trend. 2o/2o Europe reviews some of the latest frames to be inspired by this ever-popular decade.

All kinds of influences have emerged this autumn, but one thing stands out. If you want to look elegant, this is the season to add some chic and interesting pieces to your wardrobe. And that includes a new pair of specs or shades. High-fashion brands are offering more and more interpretations of the vintage theme and certainly, anything with a 70s feel is hip and trendy again, particularly the smarter fashions of that decade (as opposed to the more casual hippy look). Names like Pucci, Missoni and Fendi are very cool indeed this winter. Classic fashion names Max Mara, Chanel and Gucci are, as always, at the forefront of the trend. According to the design team at women's designer brand Max Mara, a name known for being one of the most wearable of Italian designer labels, this kind of slick styling, where themes of the past are reinterpreted with modern attitude, is set to develop further.

says a spokesperson for the Max Mara design team. "But we will see contrasts, masculine with feminine elements, primitive with luxurious touches and fusions of hi-tech and natural references." According to the designers at Max Mara, trendy colours will include more natural tones, from whites to beige, camel and various tones of brown, all mixed with one another.

 

FEELING NOSTALGIC?

Ail this conjures up some vivid images of the most sophisticated Iooks of the '70s. Fashion designers have checked back to sec what the female icons of the time were wearing. They refer to some intriguing trendsetters: stars such as Barbra Streisand, model Lauren Hutton, and actress Ali MacGraw (in Lore Stoß. Key clothes and accessories which they wore are now reappearing as trendy fashion items, including Iong woollen scarves, berets, chunky cable knits, cardigans, polos, turtle necks and ran leather bags and belts. So what should a consumer who is wearing these essentials be picking out in the way of eyewear? The designer brands propose some styles with classic '70s details. What makes these models particularly special is that even if they are large, chunky designs, modern manufacturing techniques ensure they are lightweight, and comfortable and easy to wear - a far cry from some of the original '70s styles in acetate.

Large squares and large curvy shapes in the ophthalmic and sun lines for women are among the boldest models with a retro flavour. Dropped temples, double bridges, butterfly and bowtie shapes all figure too. Colours revolve around subtle tones in acetate (acetate is expected to enjoy a healthy revival over the next few months and on into next year) and classic camel and beige, which Iook good with natural-coloured fabrics and leather.

Metallic fabrics were huge in the catwalk collections for autumn/winter and silver or gold-finish sunglasses are a great way to finish oft this Iook. Black is everywhere again (in ophthalmic lines and for sunglasses) and works well if the wearer wants a distinguished, attention-grabbing style.

Michael Caine really pioneered this Iook in the '60s and '70s and it has remained a true classic (for men and women) ever since.

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COLOURED LENSES FOR SUNLIGHT 

Accessories have come to play a leading role in fashion this year, with huge exposure on the international runways. Now a year-round accessory, sunglasses add the final touch to an outfit, weather the
style statement, whatever the occasion.

 

 

The choice of polycarbonate lenses is part of the technical description. They have two categories (category 2 for low light or use in closed environments and category 3, for strong sunlight), and the temples, produced in a slim beta titanium wire, are hinge free.

But we enter the field of fantasy when we describe the film on the lenses, a fundamental feature in Eyers collections. The new themes are always the height of originality. And so Eyeway (illustrated here) makes a hibiscus flower bloom at the side of the eyes; Dragoo is for a decidedly imperial look; Peace and Love is the statement Eyers makes in every language; Damier evokes the games of checkers and chess.., and we might go on forever, but.., go and see for yourselves at Perret Optician !

It caused a storm this summer, and it's due to stick around. The aviator, at times sporty, at times styled more closely on the classic pilot design, will remain influential as each brand interprets its design according to a specific mood and lifestyle.

Eccentric sunglass designs will become even wackier in 2007 as mirrored finishes and logos or patterned designs on lenses inspire a moment of '80s nostalgia. The big look shapes will gradually feel the influence move from the '70s to the '8Os, with large but slightly cuter forms taking hold in dusty pinks or pastel blues. Plastic sunglasses with large square shapes and smaller, eye- hugging masks are expected to be the height of fashion. Wraparounds turn elegant. Women's sunglasses will continue to follow the glamour theme with decorations in diamante, precious stones and leather, using lots and lots of colour.

Scili : Ultra protective with their enveloping curves, these 4 acetate sunglasses reinterpret the classic of vintage eyewear. The "pilot", oval or rectangle shapes are asserted and modernized with bevels and volumes, that let the light slide on colours ranging from classics like black and tortoise to refreshing coral orange, pink violine or Tahiti blue.

Designers will become more creative with tinted lenses and lens colours will be more in harmony with the colour of the frame. Colours will be based on pink, lilac, blue or green. Graduated lenses are coming into their own with 50-65% tinting expected to catch on. Colour choice is now infinite.

Despite the abundance of colour, black is in the process of enjoying a revival. The trend is expected to have an influence on sun wear next year, as a new strain of feminine but thick-rimmed acetates, inspired by the classic '5Os' and '6Os' styles, are matched with black day or evening wear. Rimless frames will be an important statement for men and women alike. Just as eyewear gets lighter and lighter, sunglasses sometimes lose the frame altogether to emphasize the colour and curvature of the lens and the personality of the eye screened behind there.

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The sunglass industry is dominated by fashion, frame style and brand names. Wearers choose mainly on the basis of frame style and colour, with little or no consideration for the lenses, which are assumed to give adequate protection. Even the choice between the major lens types of fixed tint, photochromic, polarising, or mirror, is usually secondary to fashion.

Some consideration may be given to the lens when it is to be used for driving or for sporting applications, but again choice is usually dominated by fashion. With sun lenses, however, visual appearance is less important than visual performance.

The main function of sun lenses is to protect against bright sunlight, so some reduction of visible light transmission is a prime consideration. This is normally done with an absorbing tint, although mirror type coatings can achieve the same effect by reflecting light.

The simplest absorbing tint is grey, often called a neutral density filter, because the absorption of all colours is equal. The most popular sun lens colour, however, is brown, and this is obtained by creating a higher transmission towards the red end of the spectrum than the blue end. Because the eye is highly sensitive to different wavelengths of light, only a small transmission difference across the visible spectrum is required. This can be seen in diagram 1, which shows transmission curves for grey and brown colours with similar transmission values.

A common feature of sun lenses is the reduction of reflected glare by the use of polarising filters. When light is reflected from a surface it undergoes polarisation, and the extent of this is dependent on the type of surface and particularly on the angle of reflection. For low angles this effect can be very significant. An explanation of polarisation and its effect on vision can be seen in diagram 2.

 

 

 

 

Technology for the Eyes

Polarizing glass lenses have undergone considerable, development in the last 3-4 years. The end customer has been more demanding and increasingly drives us to improve optical performances. This declaration comes from Jianni Vetrini,, a leading producer in glass sun lenses. The following interview (an extract from the more 'technical' one printed in one issue of  Vedere TECH) is an in-depth study of certain features of polarizing glass lenses, whose manufacture follow complex phases (zee box).

Which are the characteristics of Barberini polarized lenses?

The polarizing lens made of glass has been enjoying significant development in the past few years. End users are now more demanding and we are further improving the lenses optical characteristics. We have to stress that these lenses are mean for a public that requests top-notch performance. Typical users are sports anglers (widespread in the USA), sailing buffs, pilots, etc., who need glasses enabling them to see 'beyond' the glare and dazzle of light reflecting on water, but also motorists who have to drive hour after hour on motorways. Recently we made a collaboration agreement with a Korean maker of special polarizing films. We pooled our experiences to develop one of the more advanced films currently on the market. Efficiency is consistently better than 99.9%, black-crossing is neutral and films of different colours can be made. We should also mention that this film is unique because it can be shaped on our proprietary automatic machines, which ensure optical perfection and consistent production. This polarizing filter is Barberini's worldwide exclusive.

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 BARBERINI POLARIZING LENS IS COMPOSED OF TWO LITTLE GLASS CROWNS WITH AN APPROXIMATE THICKNESS OF 1MM, WHICH ARE MOUNTED WITH AN ULTRA- SLIM POLARIZED FILTER PLACED IN THE MIDDLE. ASSEMBLING PROCESS IS MADE BY AUTOMATIC MACHINES, DEVELOPED AND PATENTED BY BARBERINI.

 

Do you think that the current standards for sun lenses and polarizing lenses are adequate and up to date?

With the European standards and the CE-mark to be carried by spectacles offered for sale, a significant major step for consumer safeguard has been taken. Today, eyewear offered for sale has to be certified to comply with a large number of specifications, which make it a quality item for sight protection. We can say that the lens is by now a flue optical instrument. Like the industry, which continuously improves its products, the standards too should be updated lo account for the industry's progress. As concerns the polarizing lens, for one, so many steps forward have been made, not only by Barberini, that the standards are significantly in arrears; they should be updated to ensure that the best performance attainable by the industry is available to the consumer.

Your clientele is International; do you think that some countries are batter Informed and more demanding as concerns the lenses' technical features?

Because al their cost, our lenses are meant for the upper bracket of the market, i.e., for a careful public, which asks for valuable items having specific technical functions. Undoubtedly, consumers from the USA will generally reward our quality and research, but I am pleased to note growing attention also from the European consumers, Italians, French and German leading.

VEDERE

OVERCOMING ULTRA-VIOLET

As light transmission is reduced, the eye tends to compensate by enlarging the pupil. This is potentially hazardous because then more ultra-violet can enter the eye. It is therefore essential that sunglass lenses reduce the amount of ultra-violet (UV) transmission too, and national, international and European standards exist which dictate the amount of the reduction. While the technical specifications are written as a complex but precise formula, they may be summarised by saying that whatever percentage reduction of visible light is achieved, there must be at least a similar percentage reduction of the UV light.

Ultra-violet is divided into three wavelength bands. UV- C (l00nm to 280nm) is absorbed by the earth's atmosphere so is not a problem except at high altitude, whereas UV-B (280nm to 315nm) and UV-A (315nm to 380nm) are normally absorbed to different extents by various parts of the eye. European standards broadly dictate that sunglass lenses shall restrict UV-B transmission to less than 10% of visible transmission, and restrict UV-A transmission to less than 50°/0 of visible transmission. In fact most sun lens producers provide much greater UV absorption than these limits.

This can be seen in diagram 1, by the sudden drop in transmission just below 380nm. A reduction in transmission between 380nm and 400nm is often provided and is known as a UV400 block.

The question of UV protection depends also on the environment. For example about 1% of UV is reflected from grass, 10% from sand, 20% from water and 80% by fresh snow.

MATERIAL OUESTIONS

Many different materials are used for sun lenses. For prescription, hard resin plastic is the most popular material, and can be combined with polarisation, photochromic and a wide range of colour effects, but for the bulk volume piano market, the common materials are glass and polycarbonate.
Glass lenses were traditionally perceived as optically superior. However, other considerations, such as impact- resistance, also have to be taken into account, so now glass is not necessarily the best option in certain circumstances. The movement is towards lightness and thinness. Glass, however, is very scratch-resistant, an important feature for beach wear, and in piano lens form weight is not a problem.

Polycarbonate has the advantage of impact resistance and in-built UV absorption, and is increasingly popular throughout Europe. It used to be considered a niche safety product but advances in manufacturing techniques and raw materials have brought polycarbonate into the mainstream as a thin, light and strong lens with good optical properties.

When you next choose a sunglass, make sure it's functional as well as fashionable. Choosing on a basis of looks alone is like choosing a car for its colour.

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See Driving with Sunglasses

 

Emission Dolce Vita tsr 04/02/2008

 

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