
The choice of polycarbonate lenses is part of the technical description. They
have two categories (category 2 for low light or use in closed environments and
category 3, for strong sunlight), and the temples, produced in a slim beta
titanium wire, are hinge free.
But we enter the field of fantasy when we describe the film on the lenses, a
fundamental feature in Eyers collections. The new themes are always the height
of originality. And so Eyeway (illustrated here) makes a hibiscus flower bloom
at the side of the eyes; Dragoo is for a decidedly imperial look; Peace and Love
is the statement Eyers makes in every language; Damier evokes the games of
checkers and chess.., and we might go on forever, but.., go and see for
yourselves at Perret Optician !
It caused a storm this summer, and it's due to stick around. The aviator, at
times sporty, at times styled more closely on the classic pilot design, will
remain influential as each brand interprets its design according to a specific
mood and lifestyle.

Eccentric sunglass designs will become even wackier in 2007 as mirrored
finishes and logos or patterned designs on lenses inspire a moment of '80s
nostalgia. The big look shapes will gradually feel the influence move from the
'70s to the '8Os, with large but slightly cuter forms taking hold in dusty pinks
or pastel blues. Plastic sunglasses with large square shapes and smaller, eye-
hugging masks are expected to be the height of fashion. Wraparounds turn
elegant. Women's sunglasses will continue to follow the glamour theme with
decorations in diamante, precious stones and leather, using lots and lots of
colour.
Scili : Ultra protective with their enveloping curves, these 4 acetate
sunglasses reinterpret the classic of vintage eyewear. The "pilot", oval or
rectangle shapes are asserted and modernized with bevels and volumes, that let
the light slide on colours ranging from classics like black and tortoise to
refreshing coral orange, pink violine or Tahiti blue.
Designers will become more creative with tinted lenses and lens colours will
be more in harmony with the colour of the frame. Colours will be based on pink,
lilac, blue or green. Graduated lenses are coming into their own with 50-65%
tinting expected to catch on. Colour choice is now infinite.

Despite the abundance of colour, black is in the process of enjoying a
revival. The trend is expected to have an influence on sun wear next year, as a
new strain of feminine but thick-rimmed acetates, inspired by the classic '5Os'
and '6Os' styles, are matched with black day or evening wear. Rimless frames
will be an important statement for men and women alike. Just as eyewear gets
lighter and lighter, sunglasses sometimes lose the frame altogether to emphasize
the colour and curvature of the lens and the personality of the eye screened
behind there.
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The sunglass industry is dominated by fashion, frame style and brand names.
Wearers choose mainly on the basis of frame style and colour, with little or no
consideration for the lenses, which are assumed to give adequate protection.
Even the choice between the major lens types of fixed tint, photochromic,
polarising, or mirror, is usually secondary to fashion.
Some consideration may be given to the lens when it is to be used for driving
or for sporting applications, but again choice is usually dominated by fashion.
With sun lenses, however, visual appearance is less important than visual
performance.
The main function of sun lenses is to protect against bright sunlight, so
some reduction of visible light transmission is a prime consideration. This is
normally done with an absorbing tint, although mirror type coatings can achieve
the same effect by reflecting light.
The simplest absorbing tint is grey, often called a neutral density filter,
because the absorption of all colours is equal. The most popular sun lens
colour, however, is brown, and this is obtained by creating a higher
transmission towards the red end of the spectrum than the blue end. Because the
eye is highly sensitive to different wavelengths of light, only a small
transmission difference across the visible spectrum is required. This can be
seen in diagram 1, which shows transmission curves for grey and brown colours
with similar transmission values.
A common feature of sun lenses is the reduction of reflected glare by the use
of polarising filters. When light is reflected from a surface it undergoes
polarisation, and the extent of this is dependent on the type of surface and
particularly on the angle of reflection. For low angles this effect can be very
significant. An explanation of polarisation and its effect on vision can be seen
in diagram 2.
Technology for the Eyes
Polarizing glass lenses have undergone considerable, development in the last
3-4 years. The end customer has been more demanding and increasingly drives us
to improve optical performances. This declaration
comes from Jianni Vetrini,, a leading producer in glass sun lenses. The
following interview (an extract from the more 'technical' one printed in one
issue of Vedere TECH) is an in-depth study of
certain features of polarizing glass lenses, whose manufacture follow complex
phases (zee box).

Which are the characteristics of Barberini polarized lenses?
The polarizing lens made of glass has been enjoying significant development
in the past few years. End users are now more demanding and we are further
improving the lenses optical characteristics. We have to stress that these
lenses are mean for a public that requests top-notch performance. Typical users
are sports anglers (widespread in the USA), sailing buffs, pilots, etc., who
need glasses enabling them to see 'beyond' the glare and dazzle of light
reflecting on water, but also motorists who have to drive hour after hour on
motorways. Recently we made a collaboration agreement with a Korean maker of
special polarizing films. We pooled our experiences to develop one of the more
advanced films currently on the market. Efficiency is consistently better than
99.9%, black-crossing is neutral and films of different colours can be made. We
should also mention that this film is unique because it can be shaped on our
proprietary automatic machines, which ensure optical perfection and consistent
production. This polarizing filter is Barberini's worldwide exclusive.

BARBERINI POLARIZING LENS IS COMPOSED OF TWO LITTLE GLASS CROWNS
WITH AN APPROXIMATE THICKNESS OF 1MM, WHICH ARE MOUNTED WITH AN ULTRA- SLIM
POLARIZED FILTER PLACED IN THE MIDDLE. ASSEMBLING PROCESS IS MADE BY AUTOMATIC
MACHINES, DEVELOPED AND PATENTED BY BARBERINI.
Do
you think that the current standards for sun lenses and polarizing lenses are
adequate and up to date?
With the European standards and the CE-mark to be carried by spectacles
offered for sale, a significant major step for consumer safeguard has been
taken. Today, eyewear offered for sale has to be certified to comply with a
large number of specifications, which make it a quality item for sight
protection. We can say that the lens is by now a flue optical instrument. Like
the industry, which continuously improves its products, the standards too should
be updated lo account for the industry's progress. As concerns the polarizing
lens, for one, so many steps forward have been made, not only by Barberini, that
the standards are significantly in arrears; they should be updated to ensure
that the best performance attainable by the industry is available to the
consumer.
Your clientele is International; do you think that some countries are batter
Informed and more demanding as concerns the lenses' technical features?
Because al their cost, our lenses are meant for the upper bracket of the
market, i.e., for a careful public, which asks for valuable items having
specific technical functions. Undoubtedly, consumers from the USA will generally
reward our quality and research, but I am pleased to note growing attention also
from the European consumers, Italians, French and German leading.
VEDERE
OVERCOMING ULTRA-VIOLET
As light transmission is reduced, the eye tends to compensate by enlarging
the pupil. This is potentially hazardous because then more ultra-violet can
enter the eye. It is therefore essential that sunglass lenses reduce the amount
of ultra-violet (UV) transmission too, and national, international and European
standards exist which dictate the amount of the reduction. While the technical
specifications are written as a complex but precise formula, they may be
summarised by saying that whatever percentage reduction of visible light is
achieved, there must be at least a similar percentage reduction of the UV light.
Ultra-violet is divided into three wavelength bands. UV- C (l00nm to 280nm)
is absorbed by the earth's atmosphere so is not a problem except at high
altitude, whereas UV-B (280nm to 315nm) and UV-A (315nm to 380nm) are normally
absorbed to different extents by various parts of the eye. European standards
broadly dictate that sunglass lenses shall restrict UV-B transmission to less
than 10% of visible transmission, and restrict UV-A transmission to less than
50°/0 of visible transmission. In fact most sun lens producers provide much
greater UV absorption than these limits.
This can be seen in diagram 1, by the sudden drop in transmission just below
380nm. A reduction in transmission between 380nm and 400nm is often provided and
is known as a UV400 block.
The question of UV protection depends also on the environment. For example
about 1% of UV is reflected from grass, 10% from sand, 20% from water and 80% by
fresh snow.
MATERIAL OUESTIONS
Many different materials are used for sun lenses. For prescription, hard
resin plastic is the most popular material, and can be combined with
polarisation, photochromic and a wide range of colour effects, but for the bulk
volume piano market, the common materials are glass and polycarbonate.
Glass lenses were traditionally perceived as optically superior. However, other
considerations, such as impact- resistance, also have to be taken into account,
so now glass is not necessarily the best option in certain circumstances. The
movement is towards lightness and thinness. Glass, however, is very
scratch-resistant, an important feature for beach wear, and in piano lens form
weight is not a problem.
Polycarbonate has the advantage of impact resistance and in-built UV
absorption, and is increasingly popular throughout Europe. It used to be
considered a niche safety product but advances in manufacturing techniques and
raw materials have brought polycarbonate into the mainstream as a thin, light
and strong lens with good optical properties.
When you next choose a sunglass, make sure it's functional as well as
fashionable. Choosing on a basis of looks alone is like choosing a car for its
colour.
20/20
See Driving with Sunglasses
Emission
Dolce Vita tsr 04/02/2008
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